“Introduction: Queer Art in Britain Since the 1980s,” co-authored with Fiona Anderson, Theo Gordon and Laura Guy in Queer Art in Britain Since the 1980s, British Art Studies 27 (2025).

“Rewriting the Future: Tessa Boffin’s The Knight’s Move“ in Queer Art in Britain Since the 1980s, British Art Studies 27 (2025).

Photography: A Queer History, co-authored with Dr Theo Gordon, (Octopus/Ilex, February 2024).

“Gender, Identity & Queer Theory in Photography Today” in The Routledge Companion to Global Photographies, eds. Lucy Soutter and Duncan Wooldridge (forthcoming 2024).

Review of Tina Campt, A Black Gaze: Artists Changing How We See (MIT Press, 2021) and Stanley Wolukau-Wanambwa, Dark Mirrors (Mack, 2021) in Philosophy of Photography, 13, no. 1 (2022).

“Belated artefacts: Preface for a previously unpublished open letter,” with Laura Guy and Mason Leaver-Yap, AH Journal 03 (2022), https://ah-journal.net/03/belated-artefacts-preface-for-a-previously-unpublished-open-letter

“Lesbians Talk: British Lesbian Politics and the Sex Wars” in Feminist and Queer Activism in Britain and the United States in the Long 1980s eds. Sarah Crook and Charlie Jeffries (Albany: SUNY Press, 2022).

“Do You Have Place?: A Conversation with Sunil Gupta,” Third Text 35:1 (2021): 81-95.

Review of Fiona Anderson, Cruising the Dead River (University of Chicago Press, 2019) and Jonathan Weinberg, Pier Groups (Penn State University Press, 2019), Journal of American Studies 55 (2021): 196-199.

“Sexual Revolution” in The Art of Feminism , ed. Helena Reckitt (London and San Francisco: Tate Publishing and Chronicle Books, 2019), 174-75.

“The Sideways Ethicality of a Forever Mutating Skin,” Orlando 03 , 2018.